Finnish Conductor Susanna Malkki Conducts the Boston Symphony / La chef d’orchestre finlandaise Susanna Malkki dirige l’Orchestre symphonique de Boston
What do Susanna Malkki, Esa-Pekka Salonen and Osmo Vanska have in common? Yes, they are all Finnish conductors. But in addition, they were all students of the legendary Jorma Panula. In recent years many music-lovers and critics have noticed that there seems to be an unusually large number of Finnish conductors with major careers. And the question is often asked how a nation of only about 6 million people could produce so many first-class conductors. The answer usually given is that the secret is surely Jorma Panula and his conducting classes at the Sibelius Academy in Helsinki.
Panula (1930-) held his classes between 1973 and 1993 and in addition to the famous names cited above trained the likes of Sakari Oramo, Jukka-Pekka Saraste and Mikko Franck. And what was Panula's method? According to Malkki, he believed that the best conductors had experience playing in an orchestra. Malkki herself is a cellist and was principal cellist of the Gothenburg Symphony for three years before concentrating on conducting. Again, according to Malkki, "Panula's secret is that he's helping you find your own way." In otherwords, after choosing gifted young musicians with orchestral experience Panula tried to work with them as they are rather than imposing a one-fits-all technique on everyone. One other important principle: Panula encouraged his students to talk very little and find a way of imparting information about the music through gesture alone. This is another way of saying that Panula stressed the importance of baton technique but not as a rigid, pre-conceived set of patterns.
Panula (1930-) held his classes between 1973 and 1993 and in addition to the famous names cited above trained the likes of Sakari Oramo, Jukka-Pekka Saraste and Mikko Franck. And what was Panula's method? According to Malkki, he believed that the best conductors had experience playing in an orchestra. Malkki herself is a cellist and was principal cellist of the Gothenburg Symphony for three years before concentrating on conducting. Again, according to Malkki, "Panula's secret is that he's helping you find your own way." In otherwords, after choosing gifted young musicians with orchestral experience Panula tried to work with them as they are rather than imposing a one-fits-all technique on everyone. One other important principle: Panula encouraged his students to talk very little and find a way of imparting information about the music through gesture alone. This is another way of saying that Panula stressed the importance of baton technique but not as a rigid, pre-conceived set of patterns.
Just last month Finnish conductor Susanna Malkki conducted several concerts with the Boston Symphony. In this video interview she gives a preview of the concert. She chose a very interesting programme: Haydn's rarely-played Symphony No. 59, the U.S. premiere of the Cello Concerto by Korean-German composer Unsuk Chin, Dvorak's Silent Woods and the Sibelius Symphony No. 5.
In my companion video this week, another prominent Finnish conductor - Osmo Vanska, music director of the Minnesota Orchestra - conducts music by Carl Nielsen.
In my companion video this week, another prominent Finnish conductor - Osmo Vanska, music director of the Minnesota Orchestra - conducts music by Carl Nielsen.
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Qu’est-ce que Susanna Malkki, Esa-Pekka Salonen et Osmo Vanska ont en commun? Oui, ils sont tous des chefs d’orchestre finlandais. Mais, ils ont été aussi des élèves du légendaire Jorma Panula. Au cours des dernières années, plusieurs amateurs de musique et critiques ont remarqué qu’il semble avoir un nombre exceptionnel de chefs d’orchestre finlandais qui ont de grandes carrières. Comment un pays avec 6 millions d’habitants peut produire un si grand nombre de chefs d’orchestre de classe mondiale? C’est sans doute grâce à Jorma Panula et ses cours de direction à l’Académie Sibelius d’Helsinki.
Jorma Panula a donné des cours entre 1973 et 1993 et en plus des noms cités ci-dessus, il a aussi formé Sakari Oramo, Jukka-Pekka Sarastre et Mikko Franck. Quelle a été la méthode employée par Jorma Panula? Selon Susanna Malkki, il croyait que les meilleurs chefs d’orchestre devaient avoir de l’expérience orchestrale. La violoncelliste Susanna Malkki était premier violoncelle de l’Orchestre symphonique de Göteborg pendant trois ans avant de devenir chef d’orchestre. Selon elle, Jorma Panula aide les musiciens à frayer leur propre chemin. Après avoir sélectionné les jeunes musiciens qui ont joué dans un orchestre, il travaille avec eux de façon individuelle. Aussi, il encourage ses élèves à gesticuler lorsqu’ils veulent décrire la musique. Cela a pour but de souligner l’importance de la technique de la baguette. Le mois dernier, la chef d’orchestre Susanna Malkki a dirigé plusieurs concerts avec l’Orchestre symphonique de Boston. Dans ce vidéoclip, elle donne un aperçu du concert. Elle a choisi un programme très intéressant : la Symphonie no 59 de Hayden qui est rarement interprétée, la première nord-américaine du Concerto pour violoncelle par le compositeur coréen Unsuk Chin, Tranquillité (Klid) de Dvorak et la Symphonie no 5 de Sibelius.
Dans mon autre vidéoclip de cette semaine, je présente un autre chef d’orchestre finlandais Osmo Vanska directeur musical de l’Orchestre symphonique du Minnesota qui dirige la musique de Carl Nielsen.
- Paul E. Robinso; Traduction par Robert Scott
Labels: Music and Words
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